That´s a beautiful piece with a lot of atmosphere you have here! Definitely hear your inspirations in this one ;) I really like the bassy pad you used here. Very atmospheric... The end nearly reminds me of breathing. Like some sound elments are like the breathing out and the others like the breathing in. Sounds weird I know but I don´t find better words here :) I really like the sound of the harp, which makes a lot of the ethereal ambience. The only thing which I think could be improved is the humanization of the harp (I always complain about humanizing in my reviews ;). It already goes into the right direction and doesn´t really sound like it is just simply sequenced or arpeggiated anymore, but you definitely hear it especially during the high arpeggios. What I usually do when I finish my tracks (if I have the time) is to shift all the notes I sequenced and didn´t play live a tiny little bit (around 5-8 milliseconds are enough I guess). It is important not to do it similar in repeating patterns. Then I edit the velocities. It´s important to give a small accent on the heavy notes within one bar (like the 1 and 3 in 4/4 or 2 and 4 if it´s a backbeat) because this is something a musician instinctively would do if he or she plays it live. All the other notes have a slightly lower verlocity but all differ from each other. If you do percussion stuff it´s also nice to use ghost notes, like doing constant semiquavers but some with such a low velocity that you nearly don´t hear them anymore. Sometimes I add a little randomization on the velocity at the end. This is a faster way to get some humanization but I wouldn´t recommend to overuse it because sometimes it just spoils the track with a sudden burst do to too high velocities or something. Anyway... I realized the review got long. Probably you already know most of these things already, considering the quality of your tracks but since I always complain about humanization.... Also: Merry Christmas! ;)